"Ah, for the days that set our heart ablazed. "
噢！為了那些熱情如火的日子。
- Rimbaud 韓波
這位詩人韓波，就是李奧多多 (21) 在全蝕狂愛與路平教授談戀愛的詩人韓波。
Leonardo DiCaprio ... Arthur Rimbaud
David Thewlis ... Paul Verlaine
Roger Ebert 影評
如果侯麥要用你的日記拍成一部電影
他大概只會用那些天底下無新鮮事的字句
侯麥專注於高潮之間的時刻
那些無聊與靈光乍現的時刻
那些我們尋求象限與變兆的時刻
或許侯麥相信慎獨的重要性 (Perhaps he believes that you can best judge a person's character by observing how they behave when they feel they are not being judged.)
1. 綠光產生的第一個原因是折射；第二是色散
2. 女主角撿到的第一張牌是黑桃 Q；第二是紅心 K
0.5 女主角第一次被機歪：朋友一直叫她交男朋友
1.0 女主角第一次哭泣：朋友一直叫她交男朋友
1.5 女主角第二次被機歪：大家覺得植物不好吃
1.6 女主角第三次被機歪：大家覺得她很難搞
2.0 女主角第二次哭泣：樹欲靜而風不止
3.0 女主角第三次哭泣：沒去前男友山上小屋就回家
4.0 女主角第四次哭泣：和瑞典奶子聊起自己沒什麼牌好亮早被看光光
5.0 女主角第五次哭泣：等不到綠光
綠光大概是我永遠也想不到要如何向別人推薦的神片
其難度就和筆者因本片而崇拜侯麥之程度成正比
女主角被友人們圍剿的那場戲演得好極了
我的一九八六年威尼斯影后
Marie Rivière 妳是我的女神 ♥♥♥
Too close to home.
延伸閱讀：
那些提倡素食的阿哩不答
綠光 Le Rayon vert
90 min. 1986
Marie Rivière ... Delphine
Béatrice Romand ... Beatrice in Paris 
Marie Rivière 真的是演的超好
回覆刪除而且本片不難推薦啦
看看那張小宣傳單上影人小故事就知道了
http://cineplex.pixnet.net/blog/post/21812330
我就是這樣被騙進戲院的 哈~
版主回覆：(10/24/2010 10:03:48 AM)
那些都只是說明綠光有"多好看"
很難真的去說明綠光好看"在哪"
以下引述自羅傑易伯：
He takes a whole story - a love story, say - and leaves out the beginning and the end
because those are always the same.
He looks at what's left,
and takes the part that reveals the most character.
Then
he makes a movie about that. 說完好看在哪就不會有人想看了。
http://www.variety.com/article/VR1118013589.html?
回覆刪除categoryid=19&cs=1&ref=bd_int
Director Eric Rohmer dies at 89
1.
"He never sold out," said Sony Pictures Classics co-prexy
Michael Barker, who distributed several of Rohmer's films,
first with Orion Classics and then with Sony. "He symbolized
the essence of independent film."
2.
Though Rohmer started as a writer and didn't direct his
first film until he was nearly 50, his career included
several chapters and rebirths, and like fellow French
cineastes Claude Chabrol and Jacques Rivette, he was still
directing into his late 80s. He was awarded a Golden Lion at
the Venice Film Festival in 2001 for his body of work.
版主回覆：(10/05/2008 06:08:50 PM)
3.
Many of his two dozen features fell into the groupings Rohmer called the "Six Moral Tales," the "Comedies and Proverbs" and "Tales of the Four Seasons." The highly literate films were criticized by some as uncinematic for their simple, unobtrusive camera moves and editing plus their heavy emphasis on dialogue. But Rohmer's films were stylistically polished and expertly rendered.
4.
Never particularly interested in films, he began attending screenings at the Cinematheque Nationale in Paris and soon began writing for La Revue du Cinema, Arts, Les Temps Modernes and La Parisienne. In 1950, he and Truffaut, Godard and Rivette founded the short-lived La Gazette du Cinema.
5.
Rohmer was editor-in-chief of their next effort, Cahiers, from 1956-63, during which the journal attacked the status quo in French films and revered a cadre of American and Italian directors including Hitchcock, John Ford and Howard Hawks. With Chabrol, Rohmer wrote 1957's "Hitchcock," still considered a definitive study of the director's work.
唉...感傷之餘，重溫6個道德故事，又看到CC版迷死人的封面.....
回覆刪除版主回覆：(01/16/2010 04:38:26 PM)
繼安董 & 柏格曼
後
侯麥成為第三個筆者遠遊時死亡的導演