www.profimedia.cz/monicavitti/withorwithoutantonioni & Modesty Blaise (1966)

　

情事拍攝現場。



　

兩人正前往情事首映。



　

情事首映，右邊是失蹤的女主角 Lea Massari 。



　

慾海含羞花拍攝現場。









紅色沙漠 Red Desert (1964)





















評價很慘的摩德片 超級女諜 Modesty Blaise (1966)



























　

布紐爾晚年的大作，自由的幻影 The Phantom of Liberty (1974)，Vitti 只有開場出現幾分鐘。





　

Basta che non si sappia in giro!... (1976)，這片 AMG 還查不到，Vitti 翹起唇來性感極了！





　

這我就不知道了，看樣子是有裸戲。

















introducing【人魔】&【007 首部曲：皇家夜總會】Giancarlo Giannini as... 義大利亞蘭德倫！













































































超級女諜 Modesty Blaise

120 min. 1966



Monica Vitti ...  Modesty Blaise

Terence Stamp ...  Willie Garvin

Dirk Bogarde ...  Gabriel 



1.

Not totally disappointed, because it must be said that Blaise is one hell of a psychedelic ride, visually speaking. 

2.

Production designers Richard Macdonald and Jack Shampan and costume designers Beatrice Dawson and Douglas Hayward have truly created a masterpiece of 1960s "mod," and the eye is constantly enraptured by the barrage of colors, textures and patterns that assault it. 

3.

With 3-foot tall martini glasses (with goldfish in them), OpArt rooms that seem to have no ceiling or floor and clothes that simply shriek the time period, Blaise is a feast for those who cannot get enough of the swinging sixties.

4.

Monica Vitti is miscast as the title character, lacking the physical energy required, as well as the essential "English-ness" of the character. 

5.

Terence Stamp is fun as her very-cockney sidekick, 

6.

but Dirk Bogarde is the one who really makes an impact, playing an outrageously swishy villain who provides all the best moments in the film. He can't make Blaise a good film, but he and the visuals are far and away the high points. 



-- AllMovie



Directed by

Joseph Losey   

Writing credits

Stanley Dubens (story)

Jim Holdaway (comic strip)

Evan Jones (screenplay)

Peter O'Donnell (story) 



Peter O'Donnell was invited to write a novelization of this film. The book, based upon O'Donnell's original screenplay rather than this film, was a huge success and spawned a series of best-selling novels that O'Donnell wrote until 1996.



Production Design by

Richard Macdonald     

Art Direction by

Jack Shampan     

Costume Design by

Beatrice Dawson (uncredited)   

Makeup Department

Marissa Martelli ....  makeup artist: Monica Vitti 

Costume and Wardrobe Department

Douglas Hayward ....  costumes: Terence Stamp 

Marissa Martelli ....  additional costumes: Monica Vitti 



Referenced in

Le streghe (1967)

- in final sequence as movies are discussed.

Pulp Fiction (1994)

- Vincent reads a novelized version of 'Modesty Blaise' in the bathrooms of the diner and in Butch's apartment.

Austin Powers: International Man of Mystery (1997)

Austin Powers: The Spy Who Shagged Me (1999)

CQ (2001)

Kill Bill: Vol. 1 (2003)

- The look of Modesty Blaise influenced the look of the DIVAS.

A Conversation with Quentin Tarantino & Scott Spiegel (2004) (V)

- This movie gets discussed.



本片與珍芳達主演，畜牲羅傑華汀執導之【太空英雌】(Barbarella, 1968) 並列零年代兩大漫畫改編女打仔電影，而後者至少有 cult 地位，莫妮卡維蒂生涯簡介總是會說只有安董電影可以看，再酸莫妮卡拍了部可怕電影。和期待差不多，真的很難看，甚至比伍迪艾倫【皇家夜總會】難看，還是安董最會拍 Vitti。想不到昆汀伯對本片相當情有獨鍾呀！













心猿意馬 Accident

100 min. 1967



Dirk Bogarde ...  Stephen

Stanley Baker ...  Charley

Jacqueline Sassard ...  Anna

Michael York ...  William

Vivien Merchant ...  Rosalind

Delphine Seyrig ...  Francesca

Alexander Knox ...  Provost 

Harold Pinter ...  TV Producer Bell 



Directed by

Joseph Losey   

Writing credits

Nicholas Mosley (novel "Accident")

Harold Pinter (screenplay) 



Original Music by

John Dankworth  

Cinematography by

Gerry Fisher  

Costume Design by

Beatrice Dawson  







































戴芬賽利格！！！飾演狄鮑嘉到倫敦找電視製作人貝爾後的ㄆ友







1.

To enter into the world of Harold Pinter is to enter into a land where meaning is best distilled not from what one sees and hears on the surface, but by what is buried underneath. 

2.

Famed for his "pauses," Pinter has a remarkable talent for dialogue, but it is dialogue which masks inner meaning, in the same way that most people use words to disguise their honest thoughts and desires.

3.

Accident is filled with small talk, meaningless conversations, and idle chatter, but the extreme emotion underneath the words constantly threatens to explode. 

4.

The viewer is not always certain of why characters feel a certain way, but he knows that they do indeed feel something and feel it strongly. 

5.

The disconcerting tension this creates is echoed by Joseph Losey's direction and Gerry Fisher's expert cinematography, with frequently skewed or bizarre angles and a tendency to dwell on a scene just a little too long.



-- AllMovie









































哈洛品特飾演電視製作人貝爾。